Technical 

As the lighting programmer on Alfie, I was responsible for creating a perfect lighting sequence that matched my designers vision. I worked on an ETC Ion within the Rex Doyle Studio Theatre. Over the course of technical rehearsals I finessed cues, transitions and intensities to create a visual experience that matched the needs of the production. I broadened my skillset within this production to include lighting programming, which was a very fulfilling experience.

Director: Dan Smith

Lighting Designer: Joe Luff

Images by Steve Gregson

As a Technical Stage Manager for Greenside Venues at Edinburgh Fringe, I worked with a wide variety of theatre companies to ensure their show was bought to life. I assisted companies with their technical requirements including programming lighting, setting sound levels and setting their props and furniture. With tight turnarounds between performances, efficiency and teamwork was key to ensure all performances went up on time. 

To expand my skillset I worked as a wardrobe assistant on the musical head overhead Over Heels at Guildford School of Acting. I worked closely with the costume designer and supervisor by supporting fittings and alterations throughout the rehearsal process. I developed my sewing skills as well as my attention to detail and collaborative spirit. 

Costume Designer: Elliot Squire

Costume Supervisor: Colette Robinson 

Images by Steve Gregson

I was the followspot operator on the Musical Theatre Showcase at the Royal Academy of Music, within the Susie Sainsbury Theatre.  This expanded my knowledge of lighting as I assisted with the fit up and focus. During technical rehearsals I remained composed and steady as I lit each performer. 

Lighting Designer: Charle Morgan Jones

Images by Craig Fuller

Within my second year at Guildford School of Acting, I gained experience as a Sound .3 on the musical Violet. Within the PATS Studio theatre, I worked with my team to assist sound fit-ups and get out's whist making notes about the production sound during rehearsals. I leanrt about the fitting and maintenance of radio mics as well as developing my knowledge of theatrical sound systems. 

Sound Designer: Matt Mackenzie 

Images by Steve Gregson