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April - May 2025

Elegies for Angels, Punks and Raging Queens (Guildford School of Acting)

This production allowed me to manage all aspects of rehearsal and performance coordination for a large ensemble cast of 49, the show explored tough subjects so I was able to provide consistent emotional and logistic support to the company also. 

  • Creating a safe and respectful rehearsal environment

  • Maintaining detailed rehearsal schedules 

  • Being the primary liaison between the creative teams and the cast

  • Creating clear, concise paperwork which was inclusive to read

  • Created a prompt book with all the necessary cues

  • Called the show! 

DEPUTY STAGE MANAGER

February-March 2025

Alice By Heart  (Guildford School of Acting) 

During this production, I was able to be present for the whole process (pre-rehearsal to get-out) which allowed me to learn a lot about being adaptive when creative choices change or supporting the cast with any issues that occurred throughout the process. 

  • Liasing with the director/designer and creating a props offer list for them after reading the script 

  • Sourcing contrasting props (props for 'wonderland' and 1940 style) 

  • Adapting props 

  • Opening/closing the rehearsal room (covering the room) 

  • Creating a shout check/track for the production (paperwork)

  • Sticking to deadlines/communicating with all the creatives/SM team about what was needed/working collaboratively 

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ASSISTANT STAGE MANAGER

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March 2025

Ghost the Musical - UK Tour 2024/2025
(The Hawth Theatre, Crawley)

This production allowed me to gain a real insight into the challenges and excitement of touring theatre from being adaptable to each venue to creating illusions on stage.

  • Following an ASM track​ (including the technical ASM which allowed me to create the illusions)

  • Helping with get-in to the new venue​

  • Organising prop cage

  • Shout checking 

  • Setting up for cast warm-ups

  • Repairing props where necessary

  • Experienced a show-stop; I was able to learn how these are handled in professional theatre settings

ASSISTANT STAGE MANAGER

February 2025

Hadestown  (Lyric Theatre, London) 

I was at Hadestown during rehearsals for the new Year 2 cast and the Original Broadcast who were rehearsing for a pro-shot of the show and return to the West End. This taught me a lot about working to a high standard and staying calm under a lot of pressure.

  •  Marking up the rehearsal room and props table 

  • Meet and greet

  • Transporting props, costumes and furniture between the theatre and the rehearsal room

  • Supporting cast members during emotional scenes/stressful times during rehearsals

  • Directing cast members to different calls (e.g fittings, music calls)

  • Resetting furniture in the rehearsal room when instructed by director

  • Organising paperwork for cast members 

  • Shout checks/organising props

  • Creating vision boards for the cast and creatives

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ASSISTANT STAGE MANAGER

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January 2025

Nick Barnes Puppets 'Life of Pi' Puppets
(Nick Barnes Puppets, Brighton)

During my time at Nick Barnes Puppets, I was able to help with different elements of puppets they were creating for 'Life of Pi' tour which was going to Asia. I learnt a lot about following patterns and the mechanics behind puppets to make them come to life on stage. 

  • Using power tools to create armature​

  • Creating/cutting patterns to create puppets 

  • Using the sewing machine to create fish puppets

  • Understanding how puppets are transported for tours

  • High standard paint finishes

  • Following rules and regulations of different hazardous elements of the workshop

JUNIOR PUPPET MAKER

August 2022

Propworks  (London) 

When I joined Propworks, they were working on a big project for 'Harry Potters Forbidden Forest Experience' which required large quantities of different props. I learnt a lot about how props are created for live experiences and how to work collaboratively as a team when under tight deadlines.

  • Sanding/priming models

  • Spray painting finishes 

  • ​Keeping the workshop tidy and organised

  • Working collaboratively with different prop makers 

  • Understanding more about different materials that are used for live experiences/theatre to stay durable and sustainable 

  • Organising props and packaging them up to be transported to their final destination​

 

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JUNIOR PROP MAKER

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GAMES MASTER

September 2019 - Current

Tulleys Farm Escape Rooms (Sussex)

I have been an experienced Games Master for over 5 years at Tulleys, which has won awards for being the best rooms in the country. I am trained on all 5 rooms; it is theatrical, immersive and as a GM you have to put a show on for every team, every hour! 

  • Safety checks/set up the room

  • Briefing each team (varies between 2-8 players)

  • Running the room (involves creating illusions, giving cryptic clues in a special character voice, paying close attention to what each player is doing/saying) ​

  • Debriefing the team (finding out what they enjoyed/what we can improve on or congratulating them for escaping!)

  • Resetting the room in 20 minutes 

  • Repairing props 

  • Ensure everything within the room is safe and accessible to the general public

CONTACT

I'm always looking for new and exciting opportunities. Let's connect!

© 2025 by Bea Harper.  Powered and secured by Wix

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